Have you broken your New Year’s resolutions yet? It’s been three days and I’m doing great! Sorry to gloat, but this—as Joe Biden would say—is a big f***ing deal for me. I generally break mine immediately, so most years I don’t bother to make any.
Last week, though, a blood test revealed the need for me to lower my sugar, so I’ve been eating healthy meals, rather than my preferred potatoes, rice, doughnuts, waffles and muffins. Hubby brought a lovely cantaloupe home from Acme today, so I have that to look forward to for breakfast tomorrow.
I usually crave candy in the evening, but last night I covered my ears to that box of Christmas truffles calling to me and washed a handful of blueberries instead. They were remarkably satisfying, some squashy and others firm, but all deliciously sweet. And I sucked them in them one by one, drawing out the pleasure, just as I would have with peanut butter M&Ms (OMG, why did I just remind myself of those?!).
Food is my addiction. I can’t remember the last time I stuck to a meal plan for a single day. But dieting is a day on the beach compared to making writing resolutions. I break out into a cold sweat and come seriously close to a Breyers mint chocolate chip binge.
Said, said, said. Do you get tired of writing that your characters said everything? “Yes, I ate your plums,” he said. She said, “I want to be alone.” “Josh will never eat those Brussels sprouts,” Debbie said, “even if you make him sit there all night.”
Wouldn’t it be more interesting to use a variety of dialogue tags? “Yes, I ate your plums,” he taunted. She whined, “I want to be alone.” “Josh will never eat those Brussels sprouts,” Debbie warned, “even if you make him sit there all night.”
You might write killer dialogue, but if it’s not reader-friendly, it might as well be ancient Greek. If your reader has to go back and reread to figure out who is speaking, your momentum will die right there like a car out of gas. If you present a couple of talking heads with no action, your reader will yawn as he browses for the next author’s story. Formatting conventions such as dialogue tags and beats are not just fluff—they help the reader stay aware of who is speaking at every moment, along with each character’s body language and movement in space, maintaining the dramatic tension and allowing scenes to flow smoothly.
Today’s post will teach you all you need to know about formatting dialogue, from quotation marks to paragraphing. As a bonus, I’ve copied these tips into a handy .pdf document you can download and print out to keep handy. You’ll find it at the end of the article. Continue reading Top 5 Dialogue Formatting Tips
How well do you know your spellchecker? I’m not talking about the spouse or best friend you ask to double-check your writing. I mean the checker in your word processing software. Did you recently go on your first date? Or are you old friends? Have you seen your spellchecker naked?
No, that wasn’t a typo. Most writers trust that spelling and grammar checkers will find all their mistakes. However, if you rely solely on your digital checker and don’t do a manual check, your writing will likely go out infected with STDs—stupid typos and dammits.
Today’s post will lay bare digital spelling and grammar checkers. You’ll learn how they work and their claims to fame—and shame. Next time I’ll show you how to tweak Microsoft Word’s checker to make it more responsive to your needs. Continue reading Have You Seen Your Spellchecker Naked?
That is, it’s easy if you’re anal about detail, like me. [I just checked, and “like me” is correct, although if I were being formal I might have written, “If you are as anal about detail as I am.” Then again, I’d probably have to ditch “anal”…] If you have ADHD or dyslexia like some members of my family, you might prefer sticking pins in your eyes to proofreading. [I am in a mood today! Maybe I should write all my posts in the afternoon early in the week, rather than cramming them at the last minute late at night!]
So now you’re a pro at revision (step 1 in the revision process, that is). From my June 22 post, Revising Writing is Like Home Renovation, you know there are three steps in the writing revision process: Revise, Edit, Proofread. On July 20, we examined Step 1: Revise. This week, we tackle Step 2: Editing.
I’ve been using the house renovation analogy to illustrate the revision process. Step 1 in the house reno process meant making major structural changes. Step 2 involves doing the interior finishing work. In writing, Step 1: Revise meant assessing content and meaning—making sure you said what you meant to say. Step 2: Edit involves language issues in sentences and paragraphs—making sure you said what you meant to say the way you intended to (and should) say it.
I apologize for being AWOL for a few weeks. Work has been extra busy and my daughter had a baby. I had to decide: blog? baby? Hmmm. Guess who won? Sweet little Payton Annabelle! But as Arnold Schwarzenegger said in The Terminator, “I’m back!” Of course, if Payton starts smiling…
We’re Still Revising
I want to explain the parts of revision in more depth. Perhaps you’ll recall its three steps: Revise, Edit, Proofread. Today we’ll tear down the walls and expose step 1.
It is confusing that both the process itself and its first step have the same name, but English has many worse conundrums, like why enough, through, plough, dough, and cough all pronounce ough differently, and why we don’t have a pronoun for hisorher. You know what I mean—for those instances in which people say, “An individual should always do their best work.” Drives me crazy. We just have to get over it.